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diya lottery is "Oh, I see." Her friend was silent a minute. "You use sometimes such odd expressions. Well, I shall last a little, but I sha'n't last forever." "And you don't really think it's fair, do you? You don't!" He spoke very quickly; he really seemed to plead..

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🎮 Fleda was struck, was even a little startled with the way Mrs. Gereth had turned this over—had faced, if indeed only to recognize its futility, the notion of a battle with her only son. These words led her to make an inquiry which she had not thought it discreet to make before; she brought out the idea of the possibility, after all, of her friend's continuing to live at Poynton. Would they really wish to proceed to extremities? Was no good-humored, graceful compromise to be imagined or brought about? Couldn't the same roof cover them? Was it so very inconceivable that a married son should, for the rest of her days, share with so charming a mother the home she had devoted more than a score of years to making beautiful for him? Mrs. Gereth hailed this question with a wan, compassionate smile; she replied that a common household, in such a case, was exactly so inconceivable that Fleda had only to glance over the fair face of the English land to see how few people had ever conceived it. It was always thought a wonder, a "mistake," a piece of overstrained sentiment; and she confessed that she was as little capable of a flight of that sort as Owen himself. Even if they both had been capable, they would still have Mona's hatred to reckon with. Fleda's breath was sometimes taken away by the great bounds and elisions which, on Mrs. Gereth's lips, the course of discussion could take. This was the first she had heard of Mona's hatred, though she certainly had not needed Mrs. Gereth to tell her that in close quarters that young lady would prove secretly mulish. Later Fleda perceived indeed that perhaps almost any girl would hate a person who should be so markedly averse to having anything to do with her. Before this, however, in conversation with her young friend, Mrs. Gereth furnished a more vivid motive for her despair by asking how she could possibly be expected to sit there with the new proprietors and accept—or call it, for a day, endure—the horrors they would perpetrate in the house. Fleda reasoned that they wouldn't after all smash things nor burn them up; and Mrs. Gereth admitted when pushed that she didn't quite suppose they would. What she meant was that they would neglect them, ignore them, leave them to clumsy servants (there wasn't an object of them all but should be handled with perfect love), and in many cases probably wish to replace them by pieces answerable to some vulgar modern notion of the convenient. Above all, she saw in advance, with dilated eyes, the abominations they would inevitably mix up with them—the maddening relics of Waterbath, the little brackets and pink vases, the sweepings of bazaars, the family photographs and illuminated texts, the "household art" and household piety of Mona's hideous home. Wasn't it enough simply to contend that Mona would approach Poynton in the spirit of a Brigstock, and that in the spirit of a Brigstock she would deal with her acquisition? Did Fleda really see her, Mrs. Gereth demanded, spending the remainder of her days with such a creature's elbow in her eye? Mrs. Gereth, however, was imperturbable: Fleda had to recognize that her advantage had become too real. "It's too beautiful, the way you care for him; it's music in my ears. Nothing else but such a passion could make you say such things; that's the way I should have been too, my dear. Why didn't you tell me sooner? I'd have gone right in for you; I never would have moved a candlestick. Don't stay with me if it torments you; don't, if you suffer, be where you see the old rubbish. Go up to town—go back for a little to your father's. It need be only for a little; two or three weeks will see us through. Your father will take you and be glad, if you only will make him understand what it's a question of—of your getting yourself off his hands forever. I'll make him understand, you know, if you feel shy. I'd take you up myself, I'd go with you, to spare your being bored; we'd put up at an hotel and we might amuse ourselves a bit. We haven't had much pleasure since we met, have we? But of course that wouldn't suit our book. I should be a bugaboo to Owen—I should be fatally in the way. Your chance is there—your chance is to be alone; for God's sake, use it to the right end. If you're in want of money I've a little I can give you. But I ask no questions—not a question as small as your shoe!"!

🏆 Directly after luncheon Mrs. Gereth took her into the garden for a glimpse of the revolution—or at least, said the mistress of Ricks, of the great row—that had been decreed there; but the ladies had scarcely placed themselves for this view before the younger one found herself embracing a prospect that opened in quite another quarter. Her attention was called to it, oddly, by the streamers of the parlor-maid's cap, which, flying straight behind the neat young woman who unexpectedly burst from the house and showed a long red face as she ambled over the grass, seemed to articulate in their flutter the name that Fleda lived at present only to catch. "Poynton—Poynton!" said the morsels of muslin; so that the parlor-maid became on the instant an actress in the drama, and Fleda, assuming pusillanimously that she herself was only a spectator, looked across the footlights at the exponent of the principal part. The manner in which this artist returned her look showed that she was equally preoccupied. Both were haunted alike by possibilities, but the apprehension of neither, before the announcement was made, took the form of the arrival at Ricks, in the flesh, of Mrs. Gereth's victim. When the messenger informed them that Mr. Gereth was in the drawing-room, the blank "Oh!" emitted by Fleda was quite as precipitate as the sound on her hostess's lips, besides being, as she felt, much less pertinent. "I thought it would be somebody," that lady afterwards said; "but I expected on the whole a solicitor's clerk." Fleda didn't mention that she herself had expected on the whole a pair of constables. She was surprised by Mrs. Gereth's question to the parlor-maid. There came to her at her sister's no telegram in answer to her own: the rest of that day and the whole of the next elapsed without a word either from Owen or from his mother. She was free, however, to her infinite relief, from any direct dealing with suspense, and conscious, to her surprise, of nothing that could show her, or could show Maggie and her brother-in-law, that she was excited. Her excitement was composed of pulses as swift and fine as the revolutions of a spinning top: she supposed she was going round, but she went round so fast that she couldn't even feel herself move. Her emotion occupied some quarter of her soul that had closed its doors for the day and shut out even her own sense of it; she might perhaps have heard something if she had pressed her ear to a partition. Instead of that she sat with her patience in a cold, still chamber from which she could look out in quite another direction. This was to have achieved an equilibrium to which she couldn't have given a name: indifference, resignation, despair were the terms of a forgotten tongue. The time even seemed not long, for the stages of the journey were the items of Mrs. Gereth's surrender. The detail of that performance, which filled the scene, was what Fleda had now before her eyes. The part of her loss that she could think of was the reconstituted splendor of Poynton. It was the beauty she was most touched by that, in tons, she had lost—the beauty that, charged upon big wagons, had safely crept back to its home. But the loss was a gain to memory and love; it was to her too, at last, that, in condonation of her treachery, the old things had crept back. She greeted them with open arms; she thought of them hour after hour; they made a company with which solitude was warm and a picture that, at this crisis, overlaid poor Maggie's scant mahogany. It was really her obliterated passion that had revived, and with it an immense assent to Mrs. Gereth's early judgment of her. She too, she felt, was of the religion, and like any other of the passionately pious she could worship now even in the desert. Yes, it was all for her; far round as she had gone she had been strong enough: her love had gathered in the spoils. She wanted indeed no catalogue to count them over; the array of them, miles away, was complete; each piece, in its turn, was perfect to her; she could have drawn up a catalogue from memory. Thus again she lived with them, and she thought of them without a question of any personal right. That they might have been, that they might still be hers, that they were perhaps already another's, were ideas that had too little to say to her. They were nobody's at all—too proud, unlike base animals and humans, to be reducible to anything so narrow. It was Poynton that was theirs; they had simply recovered their own. The joy of that for them was the source of the strange peace in which the girl found herself floating.!

🔥 Download diya lottery "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "For me?" Fleda stared. "Before he has even married her?"!🔥